Héloïse Ravet works in impressionist theater, seeking to open up the image, to project bodies into matter and color.

Héloïse Ravet is a young director, based in Brussels.

After studying philosophy, she decided to turn to directing because the theater seemed to her the most concrete and the most poetic way to make the concepts that she was able to meet and love during her studies vibrate bodily.
In 2018, she edited and wrote Le Gigot, a play for 3 actors which will be performed as part of the Courants d'Air Festival.

Since 2019, she has been working as a playwright on the ongoing projects of Coline Struyf, Olivier Boudon and Leïla
Soothsayer. She assists Guillemette Laurent on the Dressing Room show at the Varia theater in the fall of 2020.

Graduated from INSAS in 2020, she graduated with the intention of developing an artistic and dramaturgical project over several years, through different forms of creation. In Outrage for Good Fortune (creation 2022), she wishes to cross the idea that the scenic materials are similar to pigments and that her theater is a body line of flight, a perspective of colors and of the body that we can penetrate in as a spectator. In Larrons en Baskets bleues (creation 2022), she undertakes a poetic study of failure and weakness as a powerful political engine against a society that demands ever more results and success.
In parallel with this work, she offers research on express and free creation , outside of theaters and current production times to assert that the sketch, the draft, are necessary and saving theatrical forms for young artists.