Live Arts production office
Choréographer Loraine Dambermont Performers Loraine Dambermont, Maxime Cozic, Jacob Börlin Sound creation collab with Alain Deval Stage manager & Light Design Gaspar Musical composition Loraine Dambermont with the participation of Alain Deval Costumes design Catherine Somers Costumes production
Catherine Somers & Theatre de Liège workshop Typography & video Sam Bodson Outside eye and dramaturgical support Fabien Dehasseler Photography Alwin Paiona Development,
communication & booking BLOOM Project
Production Lodbmt Executive production BLOOM Project
Coproduction POLE SUD CDCN Strasbourg, ICK-Artist-Space Amsterdam, Charleroi danse - Centre Chorégraphique de Wallonie-Bruxelles, Les Rencontres chorégraphiques internationales de Seine-Saint-Denis, Théâtre de Liège, Les Brigittines, Le Gymnase CDCN - Roubaix Haut-de-France, La Coop asbl & Shelter Prod With the help of Fédération Wallonie Bruxelles, Administration générale de la Culture, Service Art Chorégraphique Supported by Wallonie-Bruxelles International, Wallonie-Bruxelles Théâtre Danse, BAMP, De Grote Post, Théâtre de Suresnes Jean Vilar, taxshelter.be, ING & tax shelter du gouvernement fédéral belge Residencies Le Gymnase - CDCN de Roubaix, ICK-Artist-Space Amsterdam, POLE SUD - CDCN de Strasbourg, De Grote Post - Ostende, Les Ecuries, La Raffinerie - Charleroi Danse - Centre chorégraphique de Wallonie-Bruxelles, Théâtre de Liège, Grand Studio - Bruxelles, Théâtre de Suresnes Jean Vilar, Les Brigittines - Bruxelles, Le BAMP - Bruxelles
T'FAÇON ON EST EN 2012 unfolds a common narrative around the violence of intimidation and provocation mechanisms between rival clans. Using the contemporary phenomenon of video clashes as a backdrop, Loraine Dambermont develops , with a lot of self-mockery, an 'expeditive' choreography—similar to fast flow rap—embodying on stage figures that reflect and question masculinist stereotypes.
The movements precisely synchronized with the sound intensifies the impact of the performance; this singular musicality becomes a common theme, linking the powerfully expressive gestures with technical rigor. By bringing this behavior to the stage, T'FAÇON ON EST 2012 seeks to strike a balance between the paroxysm of self-mockery and the extreme sincerity that drives the call to brawl.