Live Arts production office
Choréographer Loraine Dambermont Performers Loraine Dambermont, Maxime Cozic, Jacob Börlin Sound creation collab with Alain Deval Stage manager & Light Design Gaspar Musical composition Loraine Dambermont with the participation of Alain Deval Costumes design Catherine Somers Costumes production
Theatre de Liège workshop Musical composition by Loraine Dambermont with the participation of Alain Deval Outside eye and dramaturgical support Fabien Dehasseler Photography Alwin Paiona Development, communication & booking BLOOM Project
Production Lodbmt Executive production BLOOM Project
Coproduction POLE SUD CDCN Strasbourg, ICK-Artist-Space Amsterdam, Charleroi danse - Centre Chorégraphique de Wallonie-Bruxelles, Les Rencontres chorégraphiques internationales de Seine-Saint-Denis, Théâtre de Liège, Les Brigittines, Le Gymnase CDCN - Roubaix Haut-de-France, La Coop asbl & Shelter Prod With the help of Fédération Wallonie Bruxelles, Administration générale de la Culture, Service Art Chorégraphique Supported by Wallonie-Bruxelles International, BAMP, De Grote Post, Théâtre de Suresnes Jean Vilar, taxshelter.be, ING & tax shelter du gouvernement fédéral belge Residencies Le Gymnase - CDCN de Roubaix, ICK-Artist-Space Amsterdam, POLE SUD - CDCN de Strasbourg, De Grote Post - Ostende, Les Ecuries, La Raffinerie - Charleroi Danse - Centre chorégraphique de Wallonie-Bruxelles, Théâtre de Liège, Grand Studio - Bruxelles, Théâtre de Suresnes Jean Vilar, Les Brigittines - Bruxelles, Le BAMP - Bruxelles
T'FAÇON ON EST EN 2012 unfolds a common narrative around the violence of intimidation and provocation mechanisms between rival clans. Using the contemporary phenomenon of video clashes as a backdrop, Loraine Dambermont develops an 'expéditive' choreography—similar to fast flow rap—embodying on stage figures that reflect and question masculinist stereotypes.
The movements precisely synchronized with the sound intensifies the impact of the performance; this singular musicality becomes a common theme, linking the powerfully expressive gestures with technical rigor. By bringing this behavior to the stage, T'FAÇON ON EST 2012 seeks to strike a balance between the paroxysm of self-mockery and the extreme sincerity that drives the call to brawl.