Performing Arts production office
Choréographer Loraine Dambermont Performers Loraine Dambermont, Maxime Cozic, Jacob Börlin Sound creation collab with Alain Deval Stage manager & Light Design Gaspar Musical composition Loraine Dambermont with the participation of Alain Deval Costumes design Catherine Somers Costumes production
Catherine Somers & Theatre de Liège workshop Typography & video Sam Bodson Surtitles translation John Porter Outside eye and dramaturgical support Fabien Philippe Marie Photography Alwin Paiona Video recording Guillaume Simonin - Shadow film
Development, communication & booking BLOOM Project
Production Lodbmt Executive production BLOOM Project
Coproduction Théâtre de Liège, Charleroi danse - Centre Chorégraphique de Wallonie-Bruxelles, Les Rencontres chorégraphiques internationales de Seine-Saint-Denis, Les Brigittines, Le Gymnase CDCN Roubaix – Hauts-de-France, Pole Sud CDCN Strasbourg, ICK-Artist-Space Amsterdam, La Coop asbl & Shelter Prod With the help of Fédération Wallonie Bruxelles, Administration générale de la Culture, Service Art Chorégraphique Supported by Wallonie-Bruxelles International, Wallonie-Bruxelles Théâtre Danse, BAMP, De Grote Post, Théâtre de Suresnes Jean Vilar, taxshelter.be, ING & tax shelter du gouvernement fédéral belge Residencies Le Gymnase - CDCN de Roubaix dans le cadre du dispositif Accueil-Studio, ICK-Artist-Space Amsterdam, POLE SUD - CDCN de Strasbourg, De Grote Post - Ostende, Les Ecuries, La Raffinerie - Charleroi Danse - Centre chorégraphique de Wallonie-Bruxelles, Théâtre de Liège, Grand Studio - Bruxelles, Théâtre de Suresnes Jean Vilar, Les Brigittines - Bruxelles, Le BAMP - Bruxelles
This show was created in October 2025 at the Théâtre de Liège as part of the Charleroi danse Biennale.
Using the contemporary phenomenon of video clashes as a backdrop, Loraine Dambermont draws on popular imagery around the violence of intimidation and provocation mechanisms between rival clans.
She develops an “expeditious” choreography—like fast-flow rapping—embodying figures on stage that reflect and question virile stereotypes. The precision with which the movements are synchronized with the sound intensifies the impact of the performance : This unique musicality becomes a common thread that links the expressivenes of powerful gestures with technical rigor.
By bringing this behavior on stage, T’façon on est en 2012 seeks to strike a balance between the paroxysm of self-mockery and the extreme sincerity of a troubling observation : An escalation of a growing call for fight.
There are three of them on stage,
but they bring with them a flood of anger and discourse,
their bodies awakening hatred and humour, questions about expressed and unbridled masculinity. It's unsettling and energising. It's vital and alive. It's T'façon on est en 2012.
A must-see, urgently.
Isabelle Plumhans | Le Vif
- An explosive choreographic clash -
Loraine Dambermont delivers a performance
that literally pins the audience to their seats.
Le Soir | Jean-Marie Wynants